The East beckons me — Japan — but I’m a bit worried that I’ll get too Zen there and my writing will dry up. – David Bowie, 1980
David Bowie’s longstanding fascination with Japan pervaded his work, becoming the gateway through which many of his fans began to explore that country’s cultural traditions and aesthetics.
Perhaps the entry point is designer Kansai Yamamoto’s Ziggy Stardust togs, Yukio Mishima’s 1963 novel The Sailor Who Fell from Grace from the Sea—one of Bowie’s top 100 books—or the 1000s of images photographer Masayoshi Sukita captured of the rocker over a period of four decades.
The recent release of two modern ukiyo-e woodblock prints featuring the rocker has caused such mass swooning among legions of Japanophile Bowie fans, the reverberations may well be powerful enough to ring temple bells in Kyoto.
For each print, artist Masumi Ishikawa casts Bowie as both himself and an iconic Japanese figure.
The other print relocates the dashing Bowie from Terry O’Neill’s Diamond Dogs publicity photos to the realm of magician Takezawa Toji, whose spinning top performances had the power to summon dragons, at least as depicted by Kuniyoshi.
Ayun Halliday is an author, illustrator, theater maker, Chief Primatologist of the East Village Inky zine and Bowie fan. Her solo show Nurse!, in which one of Shakespeare’s best loved female characters hits the lecture circuit to set the record straight opens June 12 at The Tank in New York City. Follow her @AyunHalliday.
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